Restoration of Guadalest Monstrance
Restoration of the crown of Our Lady of the Angels
Restoration of a monstrance
Restoration of a Renaissance cross
Virgin of Sorrows’ crown
Restoration of an old Granda’s chalice.
Altar cross and candlestick set
San Vincent Marthyr’s Right hand reliquiary restoration
Exhibitor for a renaissance chalice-monstrance
Restoration of a saber
Restoration of the Duward’s cup for Levante U.D
Restoration of a clock
Crown of the Virgin of Grace
Restoration of the crowns, with detailed work on the jewels and replacement of the stars with ones more in keeping with the style of the work (the result of a previous intervention).
Restoration of the image of the Inmaculate of Ontinyent
Integral restoration of the image, reinforcing and embellishing the scratching on the back, and relocation of the jewellery. The carving was restored by Xavier Ferragut.
Restoration of altar bronzes
Restoration of the bronzes of the altarpiece (capitals, bases, cartouches…) on the main altar of the Church of Nuestra Señora del Don in Alfafar (Valencia).
Crown of Our Lady of obloquy
Restoration of the crown made by our grandfather, Antonio Piró García, on the occasion of the coronation of the Virgen de las Injurias de Callosa d’en Sarrià (Alicante). The crown dates from 1954 and its restoration was carried out in 2016.
Crystal rock cross from Papa Luna
Restoration of the set of pontifical reliquaries in Peñíscola for the exhibition ‘Sacred Landscapes’, by La Luz de las Imágenes, in 2004.
Monstrance of the fishermen
Consolidation and cleaning of this monumental monstrance, on the occasion of the Light of the Images exhibition ‘The Glory of the Baroque’. The structure and various decorative elements were consolidated, the surface was cleaned and a new araceli was made in gilded silver so that it could be used again after the exhibition.
Lamps of the Communion chapel in Alicante’s Co-cathedral
Restoration of the two votive lamps in the communion chapel of the Co-cathedral of San Nicolás in Alicante. The silver shells were recovered, the ensemble was consolidated for its stability and the elements that required it were gilded. The intervention was carried out on the occasion of the exhibition ‘The Face of Eternity’. Photo: The […]