Roman Canon chalice
The chalice is Gothic in style, decorated with cardinals, architectural elements (stained glass) and inscriptions on the shaft and the knot. The carved scenes on the foot, from both the Old and New Testament, have been selected by the client and interpreted to suit the artistic style of the work.
Monstrance of the fishermen
Consolidation and cleaning of this monumental monstrance, on the occasion of the Light of the Images exhibition ‘The Glory of the Baroque’. The structure and various decorative elements were consolidated, the surface was cleaned and a new araceli was made in gilded silver so that it could be used again after the exhibition.
Processional cross of Castellón de la Plana Cathedral
Cleaning and consolidation of elements carried out on the occasion of the exhibition ‘Espais de Llum’. It is one of the most important examples of Valencian processional crosses, combining a profuse volumetric decoration, with fretwork with enamel backgrounds, with the figure of Christ embodied by Juan de Juanes. Photo: The Light of the Images.
Processional cross of Vilafranca
Restoration of a cross that had serious conservation problems. The replacement of lost decorative elements (copying those preserved in the same work), elimination of important tin soldering, consolidation and reinforcement of the interior wooden core, and making a ring in the lower part of the shaft, are some of the works that were carried out, […]
Lignum Crucis of Trinity Convent of Valencia
Complete and complex restoration of this reliquary, which had lost the elements that held the rock crystal pieces in place. They were reintegrated in style, using the same material and original techniques, and decorated in a similar way to allow them to be displayed and used. It was restored for the exhibition ‘The Glory of […]
Crosier
Crozier made on the model of a painting preserved in the sacristy of Valencia Cathedral. The design was reinterpreted while remaining faithful to the crozier on which it was inspired.
Chest monstrance of Villareal
Renaissance casket that fulfilled the dual function of housing the forms in the casket adored by the two angels and also served as a monstrance, with a monstrance – now lost – that would have been located in the place of the cross. It was restored (consolidation and cleaning) on the occasion of the exhibition […]
Reliquary of Saint John Paul II
Made for the chapel of the Cristo del Feliz Tránsito, in the Basilica of the Virgen de los Desamparados in Valencia. It recreates an ancient expositor of the Holy Chalice, with two angels holding the stone and silver cup. It contains a relic of the Holy Pope, who officiated in this chapel and celebrated with […]
Lady of Patience of Oropesa del Mar
Complete restoration of the image, in collaboration with Xabier Sambonet. It conserved the crowns -the Virgin’s crown without the imperial crowns-. The imperials and the radiance are copied from old graphic documentation, from which the decoration and proportions of the lost pieces could be replicated.
Altarpiece of the Epiphany
Domestic triptych-altarpiece, belonging to a private collection. It represents, in enamel by the specialist Consuelo Llopis, the Adoration of the Magi, flanked by Saint Joachim and Saint Anne. The exterior is mounted with the central street between two balustraded columns. The doors are closed to protect the enamel and the whole is decorated with Renaissance […]
Processional cross of Lanzuela, Teruel
Complete restoration of this Gothic cross. Structural intervention to give it stability and allow it to be used, chromatic replacement with fire enamel and gilding of the silver by means of electrolytic bathing in fine gold (without prior nickel plating).
Reliquary of Christ thorns
We carried out a small repair and general cleaning of the reliquary, on the occasion of its display in the exhibition ‘The Crown of Aragon. Power and image from the Middle Ages to the Modern Age’ (Valencia, 2006). It is an important transitional piece between two styles, with a retardatory structure and decorative elements of […]
Chalice made from one of our customers previous design
Specific design and material constraints provided by the client meant that we had to adapt our way of working to very specific material and production requirements.
Replica of a French holy chalice
Reproduction of a late 19th century French chalice from the original, using silicone moulds, lost wax casting, and subsequent chisel reworking to ‘refresh’ the final finish.
Replica of the holy chalice of Calixto III
Replica of the chalice of Pope Calixtus III, kept in the Collegiate Church of Xátiva and made as an institutional gift from the Generalitat Valenciana during the visit of Pope Benedict XVI to Valencia in 2006.
Processional cross of the Comí of San Mateo. XIV
Complete restoration carried out in the 1990s. It has subsequently undergone cleaning work. Consolidation of the structure and loose decorative elements, replacement of lost elements (taking as a model those conserved in the work itself), cleaning and consolidation of the enamels, direct gilding (without prior nickel plating) and burnishing with agate.
Minor processional cross of Traiguera S XVI
Structural consolidation, replacing a piece of lost rock crystal in silver. Consolidation of decorative and supporting elements, direct gilding (without prior nickel plating) and burnishing with agate.
Monstrace of San Lorenzo of Alberique
Reconstruction of the upper part from the remains preserved after its desecration in wartime, subsequent concealment and discovery. Location of the numerous fragments found, replacement of lost elements (taking as a model those preserved in the work itself), creation of a foot, based on models of the period and geographical area, direct gilding (without previous […]
Mother of pearl and cherubs brooch
Ornamental brooch combining the white of the mother-of-pearl and pearls with the gold of the cherubs and garnish.
Processional monstrance of Traiguera S. XV
Restored in 2005, on the occasion of the exhibition ‘Sacred Landscapes’ of the Light of Images Foundation. Intervention co-directed by Professor Núria de Dalmases (Professor of medieval art at the University of Barcelona), Josep Lluís Gil (heritage inspector for the Generalitat Valenciana) and Antonio Piró, goldsmith. Structural consolidation, replacement of lost elements (taking as a […]